Another commercial, and more time for you to join us here in the comment area! What's surprised you so far? Who are you looking forward to performance-wise?

Here’s something Taylor Swift and John Legend have in common: fans seem to care, a lot, about their looks and what they’re wearing. And they both don’t mess up very often in the fashion department. Will they both look as good as they sound tonight? I’m guessing they will. No banana suits for Taylor, probably.

Or, for that matter, her poise and good looks? The 24-year-old is bedecked and bedazzling — let’s just call it beautiful — tonight in a flowing, rhinestone studded gown. But she’s clearly not afraid to mess up her hair! That was a whiplash-inducing move at the piano a minute ago.

The doomed relationship of which she sings on this pretty country song may be as dead as yesterday’s love, but are her feelings? She’s emptying a lot of soul into this performance. There’s an undeniable genuineness in her delivery. Sweet ending, too.

We are getting close to revealing the winner for Best Pop Solo Performance. Earlier today we awarded the Best Traditional Pop Vocal Album to Michael Bublé for his To Be Loved, marking his fourth GRAMMY to date.

Pink, suspended in midair yet again. This, too, doesn't get old.

Cirque du Soleil recruiters, are you watching this?

It’s conversational, this polished piece of pop. I don’t know about you, but I almost feel as though I’m eavesdropping on these two when I hear this song. Here’s what they’re trying to work out: Is the relationship of which they sing worth saving? There are no easy answers, and that’s part of what makes this song a winner. This is a ponderous pair of pop stars.

Either way, she’s ceding a little territory to Nate Ruess, king of the anthems. There’s a likable anthemic quality to this.

Woo-hoo to Lorde!

OK, time to comment. Shall we look ahead, or in the rearview? Who’s going to win the next GRAMMY, for Best Rap/Sung Collaboration? What did you think of the onstage chemistry between Pink and Nate Ruess?